Songwriting Books Dave Read
As a newcomer to songwriting I’m still at that stage where I just can’t gather information quickly enough. I’m eager to find out as much about the craft of songwriting as possible.
Although the internet is a fantastic resource, it still feels great to sit down and absorb things a little more slowly with a good old fashioned book. And I’ve been reading as many songwriting, lyric writing books or books about songwriters as I can lay my hands on.
So here are some reviews of books I’ve read recently. Just my opinion, you may well disagree.
I’ve just finished this little gem of a book. Aimed with all creative people in mind, I devoured my nicely designed copy, swathed in matt varnish, during a single day, choosing to read it firmly from the perspective of amateur musician and songwriter. Although a master of wide range of creative media, Mark’s true passion for music, shines through on each page, with constant references to music, recording and performing. Using his background as a designer and early experience as a fine artist, Pearce takes great care to expand the examples to include other creative disciplines. With a few pages of introduction neatly out of the way, he moves quickly on to the widely applicable concept of ‘The Creative Wound’, carefully and compassionately explaining its cause and effect. Pearce sensitively unveils how many, most, or possibly even all of us, carry these wounds and goes on to provide a scattering of examples that immediately leave the reader scanning their family, work and love lives for parallels. And no doubt finding them. It’s a unique approach to not only a problem that stops creative people from further creation but one that prevents a far greater number from unveiling their clandestine creative projects or even taking their ever first steps. Adopting a highly personal, empathetic tone of voice, Mark’s writing is insightful, encouraging and analytical in its approach to a personal and delicate subject, eventually offering a first aid kit packed with healing processes, rehabilitative exercises and options for future growth. In summary. I was consumed enough to read the book cover to cover, barely lying it down more than half a dozen times. Mark’s words stirred me to consider my many creative obstacles and what caused them, when and why. In most cases I was able to clearly see how I had overcome them. In other cases, I was able to make a plan to overcome them in the future. A good read for any creative person, particularly those involved in music – but an absolute must read for anyone who lacks the confidence to embrace and unveil their creative spirit.
Price: £8.95 Lets get things straight from the start with this one, it is not a book about songwriting. But its attraction for me as an apprentice songwriter was that it offered the potential of an insight into why people like songs. What makes a song connect deeply enough for it to reach someone's all-time top 31 songs list. Having read the book, and enjoyed doing so, I can honestly say I am no more enlightened. Perhaps like all of us, Hornby has no distinct pattern to the music he likes. He exposes no particular love for a genre or specific words or sounds that trigger the deep connection he has with certain songs. What unfolds in Hornby's Desert-Island-Disc-like manuscript is more a diary of events and life stages for which each chosen song was (and is) a title track. We could all do the same. And there lies the connection as a reader. Even in vague terms, we all go through the same stages in life. Being a boy, struggling to find an identity as a teenager, the first fumblings of lust, love won and lost, marriage, parenthood, etc etc. Throughout the book you can't help but draw parallels and ask your self what your song of the moment was that stage. And as you do, you find yourself smiling, frowning and sometimes even wiping away a tear or two. I'm not suggesting for a second that this is a deep and meaningful book. But it is written by an author with a tremendous track record of emotional honesty and if you have read his other works (as I have) you will enjoy the occasional connections with, and references to, those milestones in Nick's actual and fictional life. An interesting twist I didn't expect was that after a few chapters I back-tracked and started reading again, this time making a point of listening to each track the chapter was a dedicated to carefully before reading it. Each one was a no-brain find on Youtube and as I listened I enjoyed sinking into Hornby's soul a little more. I relaxed and relished each chapter along with its musical accompaniment and discovered some interesting new music in the process. All that said, if this book were a movie it would not be an action thriller, a weepy romance or a rib tickling comedy. It would be a 'human interest' movie. The kind of film in which the joy is simply to be found in the everyday interactions and emotions of normal people living normal lives. I have to confess to enjoying that kind of film and being captivated by this book in a very similar way. As I closed the last page of the 208 pages I certainly felt as if I knew Hornby more intimately - and liked him more than I expected to. On reflection that's simply down to the style of the book which felt like an informal, often rambling conversation with a mate down at the local pub. But I can't help wondering if there had been another side to the conversation, what alternatives would I have offered as my 31 songs? And what would my new-found imaginary drinking buddy Nick have thought of my 31-song choices and the reasons behind them? In Summary Don't expect to learn anything or to ever be on the edge of your seat by this easy and pleasing read which is made much more enjoyable if you check the tracks out first.
Cost: £27.99 My lasting impression of this one is that it is a 'heavy book' - in both senses. At 800 pages in hardback, it's a big one and it weighs a ton but more importantly, it is an intense read. To really appreciate the book you need three things:
- In-depth technical music knowledge.
- Familiarity with the Beatle's entire back catalogue.
- An unwavering passion for, or a least an appreciation of, the Beatles music.
Cost: £6.99 As soon as I opened this book I realised it was not aimed at me. There is so little content, you could read the entire book in less than half an hour. It could just be my personal learning pattern but for me this is not a book that provided any information or even inspiration for songwriting. All that said, it was my mistake to buy the book in the first place. It doesn't claim to be a technical manual, this book offers itself as a catalogue of 'innovative exercises in creative songwriting' and that's exactly what it delivers. Each page reveals a new exercise, which is partly why it would take such a short tie to read. Example? Page nineteen has no words on it other than: " You are the alien who just landed this spaceship. Talk in your native language and say anything you like for fifteen minutes".And so the book goes on. I can however see a market where this book would be a useful resource. Anyone who is involved with teaching music and /or songwriting in any form would do well to spend a few quid on this book. Let's face it, at seven pounds (or possibly less) buying this book isn't going to break the bank and if you are part of a songwriting group or circle or you run workshops in songwriting and you'd like a bunch of exercises to have a giggle with which could help you unlock your students creativity, this would do the trick. But for your average songwriter, it's not an ideal purchase. In summary: A wise investment for anyone involved in teaching music or working with groups in music who's looking for a reference manual full of workshop ideas. For your average songwriter - a waste if cash and time.
Cost: £12.99 This was a 'sit down and devour it' kind of book for me. Long stints spent eagerly gobbling up page after page meant I finished the entire book in a couple of days. And when I was finished, I turned to the first page and started all over again. The truth is, this book was so incredibly revealing and enlightening that I wasn't sure it had all soaked in the first time and I wanted to make that I absorbed sure as much of this wise lady's wisdom as possible. I know, I know... Pat is actually A bloke. But at the time I read the book I assumed he was a girl. A few weeks later I saw a video online somewhere of him talking about songwriting and was surprised to see a man talking. Pat's advice on rhyming and song structure is clear and easy to understand and he describes how to go about creating an appropriate relationship between the feelings of stability and instability to enrich your lyricsI found it hugely rewarding experience putting music and melody aside for a while and focusing entirely on lyrics. When you dig deep, as Pattison does marvellously, you start to realise what an immensely complex and important area lyrics are. The whole book is peppered with short pertinent examples of writing by Pat's students and you join them in the classroom as Pattison dissects their word's to help you understand what really works and what doesn't After reading this book I certainly started to think about lyrics in a different way. I began creating and relieving tension, I started looking for ways to disguise and reveal and often find myself zooming in and out. In summary: If you are studying songwriting and you haven't read this book. Buy it and read it. Today. Your lyric writing and ultimately your songwriting will benefit. But before you start reading remember this Pat is a man. And in the world of lyric writing - Pat is the man.
Cost: £25.00 This book's certainly not a technical manual for songwriters. It offer no insights into technique, structure or approach. But I wasn't expecting that. What I was expecting was a little inspiration. And when I read this book I found just that - in buckets! It's not the kind of book you read cover to cover, day after day, this is a book that you can leave by your favourite chair (or guitar) and just dip into very time you have a moment.Rachel does a super job of making these iconic songwriting gods seem human. The book has a chapter dedicated to each of these songwriting legends and every one is personal, enlightening, insightful and inspirational. Whether you are a songwriter or just an avid listener of music, you'll love this book. From its chunky feel and heavy hard back cover to its inspiring interviews and interesting photographs it is a book you will reach for time and time again and enjoy replacing on the self for future visits. In Summary - A fabulous book to be enjoyed in snippets over an occasional quiet glass of wine. And then enjoyed again over a few more.
Cost £16.95 I’ve read piles of books on songwriting over the last year or so and this is truly one of my favourites. It is very easy to digest and packed with little gems but offers so much more than a lesson in songwriting word-smithery.At A4 (ish), It’s size alone makes it feel more like a reference manual and that is exactly how it now feels to me. Long after enjoying reading it for the first time I often find myself pulling this book off the shelf and flicking through the pages trying to find guidance or inspiration for a particular sticking point in a song. The last third of the book offers a sourcebook of ideas which is helpful focus for a drifting mind. Throughout the book there are nice quotes and examples which help to put things in perspective nicely. Most of all, as a novice songwriter, when you read this book, you feel empowered and energised, mainly because Rooksby talks as an equal, as a old friend who’s happy to help but never in the slightest bit judgemental. In summary, this is a book every songwriter should have on their shelf and one that's particularly useful to the novice writer.